Hubei calligraphy and painting seeks to get out of price

In Beijing, Shanghai, Guangzhou, and other first-tier cities, various famous paintings and calligraphy frequently set astronomical prices. However, in Wuhan, Hubei, famous paintings and paintings appear to be a price depression. What are the reasons for this?

Current situation: At the end of June in Hubei, the price of “Hundred Talents for Contemporary Chinese Painting Masterpieces” held by Wuhan Jiadi Auction Co., Ltd. falls on Hubei Hotel. In this auction, works of Hubei artists have been sought after.

At the auction, a landscape work by Zhang Shanping, an old artist from Hubei Province, shot RMB 220,000, setting a new record of RMB 75,000/sq. One of Chen Dihe's works produced 715,000 yuan, and the price per square foot also reached 40,000 yuan. The works of the old artist Feng Jinsong also shot 30,000 yuan/square foot. In addition, the works of Chen Mengxi were sold for 130,000 yuan. Jiang Changzhong's works were sold for 120,000 yuan and the price per square foot reached more than 20,000 yuan. A work of Chu Jian written by calligrapher Yang Binqing is a historical record of Hubei calligraphy, which was sold at a price of 60,000 yuan.

On the surface, the prices of these paintings and paintings belong to “high prices,” but they are clearly still “price-defying” compared with foreign markets.

At this auction, all the collectors who bid for works by Hubei artists came from outside the country. Among them, Mr. Sun from Jiangsu Province, who got a high bid for Chen Dihe's works, told reporters that Chen Dihe is the founder of Fang Bi Shanshui. His work is unique in style and has a very good market prospect. The current market price in Jiangsu is two more than that in Wuhan. Three times, the price in Wuhan is already very low. Now it is time to get it.

Mr. Huang from Guangdong Province also told reporters that he was very happy with the work of Mr. Zhang Shanping’s work. He was influenced by Zhang Lao in the art world. This time, the price of his works is very low. The price is much higher than in Wuhan.

Why does this phenomenon of "flower wall bloom outside the wall" appear? Why did Hubei's paintings and calligraphy fail to sell at high prices in the local market, but instead they were snatched by foreigners? What is the reason for this?

Reasons: Multiple factors cause “Hubei painters and painters are first-rate works and third-rate prices. All along, the price of Hubei calligraphy and painting is a price in the country.” said Yan Chunya, vice president of the Hubei Collectors Association, Hubei Province. The artists of calligraphy and painting enjoy great fame throughout the country and their level of work is second to none. Unfortunately, the price of painting and calligraphy artworks in Wuhan is generally lower than other cities in Beijing, Shanghai, Guangzhou, and even Changsha.

According to industry insiders, taking the works of Mr. Zhou Yuhua, a famous calligraphy painter in our province, for example, the transaction price of his works in Wuhan is lower by an average of 20,000 to 30,000 yuan. Shao Shenglang, a Chinese painter graduated from the Central Academy of Fine Arts, is a genius of China's painting master Li Keran. His works have participated in many national painting exhibitions, and have been sent to Germany, Belgium, Japan and other countries. The Great Hall of the People, the National Art Museum of China, and Chinese Painting Research institutes, provincial and municipal museums all have their works. However, although the price of art can not be measured in a unified manner, the price of Shao Shenglang's works is around RMB 10,000 per square foot, and the equivalent works are up to RMB 50,000 per square foot in Beijing.

What causes this phenomenon? Yan Chunya believes that, first of all, compared with the domestic first-tier cities, Hubei's economic development level is still lacking, "material civilization is the basis of spiritual civilization," and economic development determines the price of art. Secondly, there is still a serious “harbor culture” in Wuhan and there is not enough atmosphere to appreciate art. “Changsha, which is not far away from us, will almost always hang a picture and painting at home and it has a strong cultural atmosphere. In contrast, Wuhan is much less."

According to Dong Fangchao, director of the Calligraphy and Painting Professional Committee of the Hubei Collectors Association, relative to the whole country, the price of famous paintings and calligraphy in Hubei is indeed low. Last year, the works of old Hubei artists were eye-catching, such as the works of Hubei “Sanlao (Zhang Yiming, Zhang Zhenhao, Wang Xiazhou)”, but the unit price of the work only reached 20,000 yuan per square foot. The national market is still alive. The prices of these paintings and calligraphy works still At a low level, it is highly vulnerable to social capital and this year will create a new high price.

Way out: Introducing the painting and calligraphy broker “Hubei's painting and calligraphy art works, in order to break the fate of a low price that has always been on the market, still lacks an important promoter, a painting and calligraphy broker.” Chen Qianwu, general manager of Jiadi Auctions, told reporters that relative to art In developed cities, Wuhan is still lacking in this area.

Chen Qianwu introduced that excellent fine painting and calligraphy products must enter the painting and calligraphy market for circulation, preservation, and appreciation. This requires the brokers and professional organizations behind the artists to operate. Most of the painters are devoted to creation. There is no extra time and energy for the sale of their works, the planning of solo exhibitions and other social activities. Together with the professional limitations of the painters and artists and unfamiliarity with commercial activities, it is possible for one person to make itself Artists with great potential are buried, and some outstanding works are missed by the vast number of painting lovers.

In contrast, professional management agencies for painting and calligraphy agencies often have visionary insights to discover potential and growing artists. On the basis of mutual trust, the author conducts all-round planning, operation, and management of the painter's creation, social activities, and publicity and packaging, and arranges their works for exhibitions, publication in the press, publication, and expert review. Allowing the painter and painter to devote himself entirely to the creation, this not only inspires the enthusiasm of the painter and painter, but also creates a good creative space for them, and enables the collectors to have more opportunities to reach out to the fine works of artists in all fields.

This will not only provide collectors with a broad investment perspective, but also improve the social and economic benefits of the work, and will create a win-win situation, which will make the entire painting and calligraphy market grow and deepen. “However, in the painting and calligraphy market in Wuhan, the painting and calligraphy brokers are still quite lacking.” According to Chen Qianwu, the current works of Hubei artists circulating on the market are mostly perfunctorily due to the lack of brokerage checks, and lack of quality products. The price is difficult to reach a high level, so that the price of all works is difficult to rise. Second, due to the absence of broker involvement, some artists sold their works at a lower price in order to achieve short-term interests, resulting in a large outflow of works on the market, and of course their prices cannot be increased. In addition, some artists themselves face obstacles to talk about money, but also urgently need brokers to act as bridges and bonds, thereby promoting the sound development of the entire art market.

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