How to identify the quality of teapot

From ancient times till now, Zishahu has been loved by people because of its craftsmanship and safety. In recent years, as more and more people are eager to make teapots, the price of teapots will rise accordingly. There is a real teapot on the market from hundreds to hundreds of thousands, and it’s because The value of the teapot is relatively high. Some unscrupulous merchants on the market use consumers to identify the quality of the teapot. They are often shoddy. They use the real tease and benefit from it. The “toxic teapot” event that was exposed by many media outlets last year is undoubted. Let consumers have a crisis of confidence in the purple sand industry. One can imagine that a poor quality teapot will not only seriously harm people’s health, but also besides the professional purple sand collectors. Often lack of professional knowledge and it is difficult to buy a quality sand trap, today for everyone support, teach everyone how to identify the quality of a teapot. Please remember that the feeling of the teapot is raised, and it is often easier to confuse people with a pot that is better for the eyes.

1, the color is particularly bright, bright pot does not see (basic material, natural color bright colors is a warning color)

2, do not see in the hands of a sense of weight, the real Zishahu weight. (Sham, some thin beakers are lighter)

3, green, strange colors of the pot does not look (green, green, very red are plus chemicals)

4. Be careful of the surface color of the pot. If it is a pot that has not been brewed, it looks like the color is very good. Try not to use this kind of pot!

One condition is muddy, muddy mud. The surface of the pot is thick, and the particles in the pot are covered with a layer of pulp, or even particles are not visible. This kind of “muddy pot” is unnecessary because the permeability is greatly discounted and the taste of the purple sand is lost. The teapot should be Pay attention to "sand" feeling.

In the two cases, the mud contained chemical materials. When the clay was modified, the “mango powder” was added. The water color of the pots was good-looking and the color of the pot was even.

5, see the original ore particles of the pot should be clear. Some pots with added material, the material will be wrapped in particles, the particles do not clear out (need to use 20-30 times magnifying glass to see).

6, the original ore pot is impurities, but also a lot of impurities, these impurities are not only iron. These impurities usually appear as black particles, which are unevenly distributed on the surface of the pot, so many genuine ore pots are ugly when they are out of the kiln, and the pots that look too clean and uniform need to be careful.

7, Zisha pot should have a grainy, the original mine pot particles are relatively clear and clean. Raw ore particles appear to be unevenly distributed, more natural, and different from sand adjustment. Sand adjustment particles are generally “floating” on the surface of the pot, or penetrate inside and outside the sand, but the particles are characterized by a relatively uniform distribution and a sense of manipulation. Raw ore particles are more “harmonic” in the mud, and the sand-adjusting particles appear to be “hard”.

8, tapping the pot to listen to the sound, the teapot's voice should be more "boring" kind of jar sound, if the percussion is to hear the sound of the porcelain, such a pot does not touch. Listening is to discriminate the firing temperature of the pot, and the sound of the “squeaky” is the sound of the pot porcelain, generally a pulp pot or a false pot (chemical material).

9, permeability can not be used as a sufficient condition to test the original tea zisha pot, some of the material pot is also breathable.

Teapot true and false identification of common sense

For the ancient pot, there are two kinds of falsification methods available on the market. One is to make the surface of the muddy material old by rubbing the shoe polish, as if the hand is often touched, it looks old-fashioned; or it is made of old acid. The second is to put the white clay pot with white cement and water to make bubbles. The falsification of new pots is mainly the engraving of famous seals, or the creation of famous styles.

To identify the authenticity of the teapot, we can also start from two aspects. The first is from the bright color. The real Zishahu weight and color purple, because of long-term caress, the above shows a bright light. The new teapot is generally said to be loose texture, yellowish color, there are less bright, no more light. Even if there is light, it is polished with white wax. From the textual point of view, the old pots were all written in Yang Wen and the style was extremely neat. If the new pot uses Yangwen, the typeface may be imitation or rigid, or the length of the stroke may vary. If you use the old pot to add new styles, the engraved text is Yinwen.